Whenever I’m traveling, I tend to rely on Yelp to find the services I need in another city. Everyone on the street is walking quickly, probably headed somewhere important, or tapping away on their own smartphone, and I don’t want to interrupt anyone to ask if they know where I could find a cheap vegetarian restaurant within a 3-block radius. Yelp is incredibly handy for such needs. But I believe connecting face-to-face with other people is crucial to creating a sense of community.

“How can I creatively connect strangers in public space in a safe and positive way?” is a central question I’ve explored with my art for years, from organizing flash mobs to street performing with a circus. Three projects in particular come to mind – one of my own, and two others that inspire me.

11 Shirts

Every day we see people’s clothes we admire, or someone wearing a funny t-shirt, but it’s not easy to break social barriers and talk to strangers in public. I created the 11 Shirts Project five years ago in a college course called Radical Innovation in Digital Arts. Other student projects made great use of virtual reality, motion tracking, digital environments, and interactive touch screens, but I wanted to use simple technology to connect people in real space in a meaningful way.

The 11 Shirts are an invitation for interaction. The prompts on the shirts included: “The next person to guess my favorite color gets this shirt”, “The next person to high five me gets this shirt”, “…list the first 5 digits of π…”, “…tell me a story…”, and “…high five me…”. Presuming the wearer was wearing another shirt underneath, the shirt could be exchanged and tracked on the website with it’s unique ID number. A month after the semester ended, and I watched the shirts being logged around the country in Atlanta, Seattle, Chicago, Buffalo, and many other cities. Unfortunately we didn’t create a maintenance plan for the site after the course was over, and it eventually went down. But the shirts are still out in the world somewhere, and I plan to do another incarnation of the project someday.

Within Range

Last year I participated in an art installation/social experiment by artist Carolyn Clayton. Carolyn crafted 50 pairs of uniquely colored walkie talkies and sold them on the project website. From her description:

Upon purchasing a piece, one agreed to participate in a platonic matchmaking project. Over the twelve-day duration of the show each walkie-talkie owner was scheduled to rendezvous at the gallery with the owner of the matching walkie-talkie.  At this point they retrieved their purchases while participating in a face-to-face conversation with their partner over free coffee, tea and pastries.

In a world powered by technology – the Internet, Facebook, smart phones, video chatting, and online dating, WITHIN RANGE was an opportunity to have a pure human encounter with another person regardless of age, ethnicity, gender, social status or romantic intent.

I purchased a lovely blue/silver walkie-talkie. The woman who bought the matching one and I discovered we had a lot in common during our conversation. Within Range is an awesome model for an opt-in participatory art project to connect random people.

Cruel to Be Kind

Assassins is a popular college campus game in which players try to secretly “kill” each other with fake weapons like NERF guns. Jane McGonigal and Ian Bogost created a clever variation on this game in which the weapons are random acts of kindness. The game takes place in a pre-determined public space, within a 3-4 block radius. Players try to kill/eliminate each other with weapons like “Love your shoes!”, “Can I help you carry that?”, “You look great today,” or “Oh my god, you look just like Brad Pitt, I can’t believe it!” – but they don’t know who else is playing the game, so innocent bystanders are often caught in the kindness crossfire. The game rules are freely available and anyone can easily organize a game, read more on the Cruel 2B Kind website.

These three projects have been spinning around in my mind, and I’m currently brainstorming new ways to facilitate creative connections in public. What are your favorite participatory public art projects, activities, or games?

Behold, my latest typographic masking tape mural

Read on for the story, and a time-lapse process/performance video. I accept tape mural commissions and I can teach workshops in tape mural art. (View some of my other tape murals here.)

Tape Typography: One Step at a Time from Molly M on Vimeo.

About the Message

Tape Type Mural #1

I made my first masking tape mural mostly because I wanted big typography on my wall, and since I rent, I can’t paint or put up anything permanent. I designed the first message that came to mind when I thought about what I wanted to see every morning when I woke up: today will be awesome. There were many days I felt bitter about “today will be awesome,” but I had the other two messages, added as an afterthought, to keep me grounded: everything will be okay, and be thankful.

After dealing with a difficult client, seeing a logo I designed squished and pixelated on a brochure, or getting a stomach flu at an inopportune time, “everything will be okay” helped me keep the big picture in mind. “Be thankful” became a daily meditation on reminding myself of the many small things I have to be thankful for: an umbrella and a dry home to return to when it’s raining, the ability to buy basically anything I want at the grocery store, hobbies that keep me excited about life, living in a town where I can walk and bike everywhere I need to go, and friends who think of me when they see an ampersand.

Those messages and meditations are ingrained in me now, so my latest tape mural is a new reminder to myself: one step at a time. In my media-saturated lifestyle, I frequently feel overwhelmed by all the things I want to read, all the feeds I need to check, all the creative projects I want to do, all the amazing people I want to talk to, and all the tasks I need to do simply to keep myself healthy. My new tape mural reminds me to take a deep breath, stop multitasking, and breakdown everything I need to do into small, actionable steps.

About the Design

The designs of my previous tape murals were somewhat limited to the restrictions of the tape – the letters were mostly geometric sans serifs with flat terminals. With the help of a projector, I wanted to try something more challenging that didn’t let the tape dictate the design: rounded corners, an inline style, and a script typeface. This involved cutting lots of teeny tiny triangles of tape, but it only took about 10 hours total. Definitely worth it. I think my next tape mural is going to start as a hand lettered design, maybe with some shadows and dimensionality…

About the Video

I’ve made a few time lapse videos before, and it’s fun to watch something unfold over time. But upon re-watching my other time lapse videos, I thought they were a little bit boring. I wanted to make this video not just a process recap, but a piece of performance art on it’s own. Plus, it’s been a while since I’ve done a circus performance, and I have a lot of great tights I rarely wear anymore. I learned in the process of making this video that to get dancing to translate well to the time lapse, I had to move in extremely slow motion and exaggerate my movements. (The charleston swing dancing and juggling tape don’t show up well.) There are lots of geeky tidbits in the video: ampersands, H&FJ bag, “support your local sign painter” bag, “I hate Helvetica” button (it’s really a love/hate relationship), even a little Battlestar Galactica.

Thanksgiving 2012 from Molly M on Vimeo.